The Music of Hope Concert played, Dec. 26 at the Church of SS. Maria Arch located in Villaricca, the entire music project conceived and contained in the so-called " Procession of shock and .
This is so cool that anyone could understand, wondering - perhaps - who was staring the man who, on the manifest, lively hopped from the back, with a clarinet in hand. Above could be finished as a band on the altar of a church.
Alla seconda domanda l'autore della recensione in essere risponde riportando le parole dell'amministratore per la cultura e lo spettacolo di Villaricca Enzo Palumbo che, intervenendo al termine dell'esibizione, pochi minuti prima che il pubblico accorresse ad abbracciare il Maestro Pino Ciccarelli e i musici dell'organico, ha ricordato che l'evento appena terminato faceva parte di un programma musicale predisposto dal Comune per l'intero periodo natalizio proprio nelle chiese.
The insistence with which the author of the review is heard asking this tricky question to answer makes the availability of time.
what the heck, Mick Jagger of the Rolling Stones would respond " is only rock'n'roll."
I, for my par, I tell you that this is tuneful 15 pieces, 15 modern songs, sometimes joyous and sad times (but then that means? Should be in the audience to take advantage the journey Pino e la banda ci hanno fatto fare su questo magico autobus) rielaborate e/o scritte ex novo da Pino sul materiale bandistico di cui l'autore è anfitrione d'e c c e z i o n e !!!
L'organico appariva così agli occhi dello scrivente: nell'area antistante e che precede lo spazio dell'altare, Pino Ciccarelli, al centro, al clarino e sassofono soprano. Alla destra, il gruppo ritmico con Marco Caligiuri alla batteria,
Roberto Giangrande al basso acustico e Fabrizo Fedele alla chitarra acustica.
A sinistra, Mario Nappi al pianoforte e Massimo Capocotta alla fisarmonica. stepped on one of honor, Pino behind the horns of the band. Ciccio Iacolare on trumpet, trombone Antonio Di Somma, and finally to tenor sax Davide De Gregorio.
not missing anyone, I think.
NO! Here the Virgin Mary from my point of view framed pine for the duration of the concert, during which, aided by the warmth of the public who has sung in more than one occasion and kept the rhythm with their hands, ran the entire project cd of the pieces of the lineup following a different but equally effective.
However, there is just something at least for the outward journey. Thanks
So, I said the concert that began precisely with the song's title to the project Ammore procession, followed by Friday.
Both pieces are reworkings of Pino on marches that were played on Good Friday in fact, in Chiaiano, a suburb of Naples.
The first begins with a singing fronn reminiscent of the father Pino Ciccarelli Natalucci which was clarinetist and band director Musical Concert of Hope Piscinola, Marianella the neighborhood where he grew up and Pino taken the first steps in the guise of clarinetist. After being dropped
metaphorically "in the streets", the band continued with a song Capricciosa by Luigi Ingo, melodically very strong band repertoire that Pino has reworked and rearranged in the form of tango as Friday.
The executions, which take on a live spontaneous sound that only the interaction between the public and can stir up this repertoire, they have blown the topical song, freeing themselves from the sources that come back to play today with the pleasure of their vitality.
The concert then continued with a musical sequence of photographs related to the places and people told in this diary: The feast of Santa Cecilia, Via De 'Liguori, 15, Bagni di Lucca, Musician, Gavuttella appassiunata and Ricciulella .
Very touching were the performances of Via De ' Liguori, Bagni di Lucca and Ricciulella , devoted mother of Pino and that the band has performed live only in the first version on the CD, which instead takes it in the end with a jazz standard form.
E 'was then the turn of Verde Luna, a beautiful song performed without the beautiful voice singing the Pina Cipriani on the CD.
The author of the review is a fan of this piece thanks to the fact that it was also the favorite of his father Pino (thanks Natalucci).
They made their appearance and then the mysterious march '74, the yearning for See you guys Pino deserves as an encounter with a great director type or Tornatore Pupi Avati or Gianni Amelio (here, I said it).
So the concert was launched at the end with the radiance of the almost danceable ammore Shadow of the plot jumping fiatistico of Safari Yellow and a tribute to St. Alphonsus de 'Liguori ie You come down from the stars, performed with the choir of the public.
The CD project, already remarkable for care, quality of sessions, and iconographic richness of the contributions of well known, is enhanced and running live the warm sound of acoustic instruments amplified and acquires immediacy and spontaneity, finally becoming Banda!
Greetings guys, I love you!
